I’m sure there are people who watch movies like Barney
Stinson, and root for the rich, popular kids to rule the day. But not me (well, except Ferris).
Just like I will always root for the underdog in a sporting event, I
want my movies full of nerds & outcasts saving the day, or at least
improving their lives. John Hughes gave
the spotlight to those very characters, and created funny, heartfelt movies. Since I like lists, here is my list of the
best of his work:
5. Some Kind of Wonderful – You’re probably skimming this
list and asking, where is Weird Science?
I enjoy Weird Science, but it’s not my favorite. And I am a much bigger fan of this lesser
known gem, Some Kind of Wonderful.
Tomboy girl has crush on outcast best friend, who in turn has a crush on
super popular girl. The popular girl
(Lea Thompson) turns out to have more depth than first anticipated, which is a
twist on the standard take where she is super shallow, but by the time that all
gets figured out, the boy (Eric Stoltz) has realized that he actually likes
tomboy girl (Mary Stuart Masterson). Love triangle done well.
4. Pretty in Pink – The first of 3 Molly Ringwald films on
the list. She effortlessly switched from
uptight rich popular girl to wrong side of the tracks outcast to awkward
underclassman. Here (wrong side of the
tracks outcast) she falls for a rich guy whose name sounds like an appliance,
breaks the heart of her best friend whose name is more often preceded by “rubber,”
wears a terrible dress to the prom, and we still love her. We probably would have fallen for Duckie’s
Try a Little Tenderness dance moves, but we forgive her for preferring the wimpy rich
guy because who doesn't adore Andrew McCarthy.
I also cannot neglect mentioning that James Spader is the perfect sleazebag in this
movie.
3. Sixteen Candles - Here
is Ringwald again, this time that awkward underclassman. Her parents forget her birthday and it’s all
downhill from there. But that’s okay,
because sexy Jake Ryan gets her underwear back from a geek. There is a lot in this movie that wouldn’t
fly today (politically correct it is not), but it more than makes up for it
with excessive amounts of humor. Plus there is the right balance of heart and teen angst. Because let's face it, teen life is angsty.
2.Ferris Bueller’s Day Off – This was a tough call. Matthew Broderick brings this iconic roll to
life in one of the greatest movies of all-time.
Who hasn’t based their entire Chicago vacation on just the things that
Ferris did with Cameron & Sloane when they skipped school? I mean, how else does one decide what to do
in that great city? It is one of the
most quotable films in existence, including my personal favorite: “Life moves
pretty fast, if you don’t stop and look around once in a while, you might miss
it” Ferris coming in at #2 on my list
should in no way take away from its greatness, as it could certainly flip flop
with #1 on any day. Cause he sings on a float in a random parade and it's so awesome. Like I said, it was
tough, but for today...
1. The Breakfast Club – Maybe it’s the influence of having
just watched Pitch Perfect. I might
still be thinking about how much I love that Simple Minds song and Judd Nelson
thrusting his fist in the air. Which
brings back the serious crush that I had on Judd Nelson after viewing this
movie as a teenager. This was
significantly after it was first released (maybe 10 years?) and Nelson is actually just a couple
years younger than my parents, but all teenage me saw was teenage (okay,
mid-twenties) Judd Nelson lipping off to
the obnoxious vice principal. Don’t get
me wrong, my love for this movie is bigger than that crush, but I think that’s
what is pushing it over the edge into the #1 slot at the moment. Nostalgia, wins every time.
Pitch Perfect & Easy A are quality films in their own
right, featuring some of the most talented and likable actresses popular today,
but I will love them forever for their efforts in immortalizing the works of
the late, great John Hughes.
Coming Soon: Sarah makes a compelling argument in favor of 90s
teen comedies, but is wrong. Except for
Clueless, which is practically perfect in every way despite its protagonist
being pretty much the opposite of an underdog.